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[Comment]'Krampus: The Naughty Cut' – The extended version of Scream Factory belongs to Santa’s good list
We would love to see six terrorist franchises in "Death by Daylight"
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We would love to see six terrorist franchises in "Death by Daylight"
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This editorial contains major spoilers.
As a child of an alcoholic, I grew up expecting that my mother would be completely stunned whenever I walked in the front door. The uncontrollable drinking demand, usually before breakfast, and always those 40-ounce-high boys, turns a caring and careful mother into the shell of a broken and malnourished person. Her character changed, and her traumatic past became despair, pain, and anger. She often loses her temper until you give in and further contribute to her behavior. With writer/director Jonathan Quattas’ "My Heart Can’t Beat Unless You Tell Me", I found myself replaying our entire relationship, not only witnessing her decentralization on the screen, but also me Own decentralization.
This movie tells the story of two siblings, Jesse (Ingrid Sophie Schram) and Dwight (Patrick Fugit) taking care of their sick brother Thomas (Owen Campbell) Although his vampire disease has never been clearly described, he needs to be fed frequently. When Thomas is in good health, he is lively and cheerful, full of curiosity about the world, often begging to let him go out of the house and play with the children nearby. When Thomas is in poor health, he becomes dull, lifeless, and almost catatonic. He is not hunting alone like a traditional vampire; but like a vampire, the sun is poisonous and he has to lie in bed for hours or days at a time. Instead, Jesse and Dwight hunted for him, choosing prey based on world status—homeless, sex workers, and immigrants usually enter their paths as potential food.
"She is actually a good catcher," Jesse said, and suggested that a red-haired prostitute named Pam (Katy Preston) be the next target. "She probably knows a lot of people," Dwight retorted, shaking his body to hide the fact that he knew her well. "I suspect that none of them cares about her," Jesse argued. The next afternoon, she followed Pam to a dilapidated motel on the outskirts of town, and soon discovered that Dwight was his frequent visitor. Later, she knew his secret thoroughly, and she played the guilt card of family obligations without hesitation (by the way, this is the queen of hearts, holding a delicate rose in one hand, and a switch knife in the other, revealing Shy smile). "I know it's difficult, but we couldn't do it without you. It must be the three of us... together," she said, her resentment hanging on her tongue. Maybe, she is jealous of her brother's midnight flirting, he is looking for joy and happiness in a suffocating life, and may hate himself because of his feelings.
Jesse inevitably murdered Pam and pushed her dead body back to their home, which shocked and terrified Dwight. The relationship between them has cracked open, and there is no other way but to fall further into the stinking abyss. Unless you tell it, my heart cannot beat because we captured Jesse, Dwight and Thomas in the middle of their story. We didn't have a glimpse of how it all started, nor do we need it. The majesty that Schram, Fugit, and Campbell bring to their respective characters is electric-oscillating between a violent eruption (the scene of Thomas driving leisurely at night is a good example) and quieter lightning , Just as Dwight took a shower, the sadness is deeply engraved on his face, you don't know where his wrinkles start, and where the sharp edges of pain end.
I can hardly love my mother. In the last few years of her life (she passed away two months ago), I began to harbor my own resentment and anger. Her dependence on alcohol is not a cause. It was her dependence on me that ultimately exhausted my mind, body and spirit. Just like Dwight, I had detailed fantasies about the magnificent life, living anywhere else, as long as it was another state. I most often dream of the twinkling lights of New York City, and for Dwight, the sound of the ocean and the beaches along the California coast aroused his amazement. When I was young, it seemed most meaningful to escape to a coastal city. I don't want to face and deal with the reality before me, but want to go out, leave the troubles and pain behind, and wipe the slate clean.
When Jesse killed Pam, it completely destroyed Dwight. Pam is his ticket to get out of this endless hell. Pam was kind of like-minded. It was Pam who told the story of returning to Miami in the 90s. "This is great. It's not what it looks like on TV," she said. But now, Dwight must deal with things. He must take responsibility for his brother and owe his sister the truth. Once an emotional bomb detonates, all bets will end. Earlier in the evening, when Jesse and Dwight were both out foraging, Thomas became friends with a local boy named Turner (Judas Bateman) and invited him in, where they talked about Christmas and played Thomas Favorite piano game. Dwight went home prematurely to give birth to the rest of the plot, when Turner hid in the closet, stumbled from the dark and stabbed her in the abdomen, a tattered band-aid caused chaos and Jesse's death.
Turner rushed into the night, jumped on his bike, stepped on the pedals for dear life, without glancing at his shoulder for a moment. At first, Dwight was hesitant about what to do next, but at Jesse's request, he was quickly on the trail of the little boy and finally caught him a few blocks away. The two sat in his pickup truck and shared one of the most intimate scenes in the movie, which contained a short dialogue that further pierced Dwight's tortured mental state. "You don't know what it's like to be alone," he told the teenager. The rain splashed on the windshield, somehow sketching the moment like a polaroid. Dwight's pain felt like mine, throbbing and red in my brain, even now. I thought of those words, those nine simple words, which captured the experience of living with and caring for drug users. You tried to help them, but you lost yourself in the process.
At the same time, Jesse instructs Thomas to eat and drink and fill her blood. After all, she was never a person to waste. Dwight returned later and found his brother Thomas gorging on her neck. "Get off her!" He screamed and slammed the bathroom door. This ending is inevitable. You can say that this is always their destiny.
Most days, my mother is a night creature, sucking the rotted stems of her life, but there are also those short and dazzling sympathy, joy, and free-spirited flashes that will wake you up. Usually music, like the central character of the movie, brings out these characteristics and a new passion for life. Now, I cherish the glimpses of the people she has always been, but she is largely hidden from the world.
Dwight hurriedly packed his luggage, clenched his fist on the guitar, fully planning to leave the town life and his brother in the rearview mirror. He drove to a local cafe to enjoy a meager breakfast, and then went on the road. But his guilt, shame, fear, especially compassion, dragged him home. "I thought you wouldn't be back," Thomas shrieked, visibly panicked. "I'm here now," Dwight whispered, almost speechless, as he pulled his brother closer.
The ending of this movie is quiet, but very explosive. Thomas paused before uttering his death sentence: "Open the window." Dwight's eyes widened for an instant, and the gravity of these three words shredded his skin. The gate burst immediately, and Fugit provided a wonderful performance. Dwight leaned his brother gently on the headboard, his eyes locked, allowing himself to follow the only possible path ahead. The silence is deafening. Dwight climbed to the window, and between his tears, he tore off the curtains and wooden boards that blocked the sun. Without cutting into Thomas or using stupid CGI, Cuartas uses the power of suggestions to inform the audience of what is happening. Thomas was probably already burning, and a stunning white light covered the frame. This is a beautifully rendered sequence, a real visceral blow, the kind that can expel every ounce of air from your lungs.
When I knew that I needed to establish boundaries in my relationship with my mother, and more importantly, allow myself to do so, she suffered a serious personal setback. Coincidentally, when I wrote this article, I realized that just 10 years ago, this month, she broke her kneecap on the way to get more beer. It was a typical cool night in November, and the change of time made the day look unusually long, as usual. My mother has drunk five or six cans of natural cold beer, so you can say that she has four sheets. She left and never returned. Later, a neighbor told me what had happened. At that time, I vowed to enforce the necessary restrictions in our relationship and never feel guilty about it.
Unless you tell it, my heart cannot beat. It is a mirror that reflects addiction, family relationships and obligations, and the compromises we make to prolong our pain. In the last scene, discovering that Dwight finally walked to the coastline, it was the moment when he made a choice to live. Whether literally, like the death of Thomas or my mother, or metaphorically, cutting off the connection that has caused you so much pain in months or years can be a catharsis. Dwight looked out at the sea with a smile on his face. He could hardly believe the beauty and majesty before him. It has always been there, but he can't fully understand it until now. He learned that every moment is really fleeting, and life, the real life, is everything we all have in the end.
Ted Geoghegan's supernatural thriller "Brooklyn 45" will be released in 2022
"Scare Package II: Revenge of Rad Chad" will be released next year [Teaser]
[Comment] Survival horror and action blockbuster, Shudder's "Death Valley" knows how thrilling it is
The multiplayer horror game Dead By Daylight is quickly becoming the home of almost all important fictional murderers in history. We already have people like Leather Face, Michael Myers, Pyramid Head, and smaller versions of Freddie Kruger. Not to mention the many characters and regions from the franchise such as "Resident Evil", "Saw Cry", "Evil Death" and "Stranger Things". There is no doubt that when this game celebrates its 20th anniversary, we will be in the stage of announcing relatively niche things such as Dr. Giggles or Demon Wind extensions.
But even with the recent announcement that Sadako from Ringu has climbed onto our screen to join the Dead By Daylight Killer Club, there are still some notable terrorists that may join the list. Therefore, based on the terrorist franchise rights, and what killers, locations and even survivors they will bring, I added six suggestions for the future of "Death by Daylight."
However, don't let me have a good time, please tell us in the comments section below what your dream Dead By Daylight crossover will be!
Except for Jason Voorhees or Norman Bates of Psycho on Friday the 13th, Chucky in Don Mancini's Child's Play may be the last great killer idol who did not appear in Dead By Daylight, and for various reasons, this doll possesses the criminal Charles Lee Ray's brutal nature feels the most suitable of the three.
First of all, his petite figure will bring fresh excitement to hunting. Of course there are already stealth types, but Chucky will be able to pounce on unsuspecting survivors from a few inches away before he is found. I also like to imagine him using the voice of his nice doll as a bait to panic the survivors and make them make fatal mistakes.
Also, wouldn’t it be great to set the stage at the Good Guy factory? Why not let the alternative skins also introduce Tiffany and Glenda?
Part of me wants to go to Sam at Trick R'Treat, but the more I think of Krampus in Mike Dougherty's 2015 Happy Holidays, the more sensible it seems to be for Dead By Daylight.
His chains will be a great multifaceted weapon. Not only to help trap the survivor himself, but his elves, gingerbread critters, and even that fascinating and terrifying out-of-the-box monster may be sent to do his dirty work.
Another benefit of owning Krampus? We can have a truly cold map and eventually become a Christmas favorite for DbD players. Maybe join the Toni Collette survivor to make the transaction sweeter, right?
Tony Todd, as a hypnotic performance of the spirit of revenge, dripping on the bee, is undoubtedly an important part of the symbol of such a terrible character, but many things that the Candy Man brings in Death by Dawn depend on the character's ability and his role in that character. Weapon swinging on a rough hook.
Imagine that just as you are about to repair the last generator, a swarm of bees reminds you of his presence, and as he gets closer and closer quietly, hearing the buzzing sound is almost deafening. Before you know it, you can barely see through the insect swarm, just then he strikes...
If the game can reproduce the disturbing and casual way Candyman had when he murdered those who were stupid enough to say his name five times and let them hunt down survivors, then he would be really scared to face it.
Dead By Daylight’s own original killer, The Hag, is a bit like the Blair Witch. I’m already upset about showing too much of this creature, but part of me is satisfied with the idea of the Dead By Daylight killer that you rarely see, but keeps getting You lose your way and use her power to divide the group, only to be glimpsed briefly the moment she gets you.
I even think it would be cool if she let you drag yourself onto the hook in a trance. As for her source of influence in the game and potential stopping points? It must be those creepy little sticks she likes to make, right?
As for the survivors praising the Blair Witch? Okay, let's give Heather one more chance to get out of the predicament.
For any classic monster that appears in the game, there is a point of contention, but think about the skills that the most famous vampire around can bring to "Death by Daylight"! That fascinating gaze, the ability to transform into a wolf or a bat, and even a personal catharsis of effectively betting on someone for change by dumping someone on a sacrificial hook.
I'm pretty sure The Entity wouldn't mind if he drank some alcohol from the victim before hooking the victim. Maybe it might make them drowsy so that they won't work hard to get rid of it?
However, in most cases, I just want a map of Dracula’s Castle and a Minahak survivor.
Even a game full of horror like "Death by Daylight" can never get rid of the huge presence of Marvel partners. If you absolutely have to do this, then who can be more than a serial killer like Cletus Kasady and his symbiotic murder partner Carnage good?
Carnage’s deformation ability is very suitable for playing with survivors. In fact, you need to avoid its deadly blades and spikes. This means that when you realize that the person in front of you is not that person, it may be too late to escape. You think they are. .
Carnage will also have some very cool alternative skins, such as the recent movie version (played by Woody Harrison, and a lot of CGI) and the former king in Black Absolute Carnage comics.
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